Art Against Information

by Carlos Cuevas After reading Mitchell Whitelaw’s “Art Against Information,” I came to the realization that literally anything and everything can be made into art. I found the process of creating data art particularly interesting. Not only must you fish out the data, you also have to find a way to explicitly morph it into…

Art Against Information

Art Against Information In the art against information article we read the author talks about how artists are using various information found on the web and using it as a muse to create various forms of work. One uses breakup blogs as a source, another uses the term “I feel” and others use spam. The…

Art Against Information Response

“Art Against Information” was actually pretty interesting, in my opinion. It really opened my eyes to the fact that anything can used for or made into a piece of art. The idea of using data and making visualizations is something that we encounter everyday however these are very simple approaches, rather than the pieces mentioned…

Art Against Information

I have never specially noticed the distinction between data and information. After reading Mitchell Whitelaw’s Art Against Information, I started to perceive how data can apply to art and how to define the define the difference between data and information. I think what Whitelaw wrote “data is the raw material of information, its substrate; information…

Art Against Information

From the article I can agree that data is abstract and I would be more surprised about this if I didn’t have some familiar background about this(before I started this class). Data you would think is just information, used for our purposes of gathering intellect but it is much much more. Gathering it and making…

Art Against Information

After reading Art Against Information, I could see the clear distinction between how they distinguish data and information. Data is the raw results, and it is concrete whereas information is the meaning we take away from that data. Information allows us to interpret, gather, and cultivate that data into something that is logical and give…

Reaction: Art Against Information

In reaction to Mitchell Whitelaw’s ‘Art Against Information’, I first learned the difference between ‘information’ and ‘data’. According to the article, information is ‘processing, manipulating, and organizing data’, while data is ‘discovering useful data in large repositories’. Only when organized does data show information, so the two are not the same. I really like what…

Art Against Information

         First and foremost, one aspect of the case study that I found interesting the many ways that data can be used to make different types of art work.  Through this, I gained a better sense of how data presented in art and how it allows for more subjectivity and analysis of…

Art Against Information

After reading Mitchell Whitelaw’s Art Against Information, a few things became more clear to me and caught my attention. First off, I learned that dealing with data and information it may be difficult to make a distinction between the both of them. Whitelaw says, “It is demonstrated that data art often turns away from information…

Art Against Information

In the Art Against Information, I found it visually effective to understand the spam interaction from Alex Dragulescu’s peices structure 11 from the Spam Architecture Series and the Untitled 1 from the Spam Plant series. In the structure 11, it is represented by straight rigid edges as a base but with another structure representing a…

Joachim Sauter

The artist I choose is Joachim Sauter. He is a German artist and designer in the field of new media installations and spaces, and he is a pioneer of new media. He has been developing in this field for many years since 1980s, and he started his media studio ART+COM in 1988. Before he founded…

Rafael Lozano-Hemmer

For my art presentation I have chosen Rafael Lozano-Hemmer. He was born in Mexico City in 1967. His projects are based for public participation with using technology to do an interaction such as his light and shadow shows. Many of his kinetic sculptures, responsive environments, video installations and photographs have been shown in museums in…